Monday, 21 May 2018

Re-Launch Coming Soon!

After much deliberation I have decided to relaunch this blog and once again provide news snippets and album reviews.

Stay Tuned!!!!

Sunday, 20 August 2017

C.J. Wildheart - Blood (2017)

Genre - Hard Rock / Punk Rock
Label - Pledge Music

Track listing:
01. Tea Leaf
02. Gutless
03. Lazybones
04. Beak
05. 50 Percent Indian
06. Tired Of Sex
07. Kiss It
08. Plastic Invasion
09. Itch
10. Lost In The Game

Wildhearts guitarist CJ Wildheart returns with his third full length solo release, and follow up to last years rather excellent release, 'Robot', in the form of 'Blood', and his musical evolution continues to develop. Gone are the bubble gum pop/punk melodies of his first post Wildhearts solo projects such as  Honeycrack and The Jelly's, in favour of the harder edged more riff based direction that began with 'Robot' and its predecessor 'Mable'. I have to say that 'Blood' is some of the most heavy and riff based (and dare I say intense?) material that CJ has put his name to outside of The Wildhearts to date. 'Blood' opens with 'Tea Leaf', a great track that would have sat well on 2014's 'Mable'. A few electronic samples mixed into some great riffs and CJ's instantly recognisable vocals fitting perfectly. Next up we have 'Gutless', a song driven along by some great intense riffs, and a song that would have sat well on any Wildhearts release. A great statement of intent, and brilliant indication of what is to follow. 'Lazybones' follows and continues to deliver on both the quality and intensity fronts. Another great riff too! 'Beak' is up next, a slightly more melodic and up tempo track than its predecessors, and a great song to showcase a slightly different side to CJ's song writing talent. '50 Percent Indian' marks the half way point to this great album, a great song with a great lyric throughout. Next up we have 'Tired of Sex' (surely that cant be true!). Here the keyboards are slightly more prominent, adding atmosphere to this songs fairly laid back feel. 'Kiss It' follows and is a short sharp blast based around a great riff with very few vocals.  'Plastic Invasion' sees things slow down a little and return to the type of blue print used throughout 2014's Mable album with electronic samples being mixed with some great guitar rhythms and riffs. The albums penultimate track is 'Itch' which follows a similar blue print to its predecessor, and seems to be a rather autobiographical track, concerning the career path the mighty Wildhearts. 'Lost In The Game' closes out the album, and is one of the best songs CJ has ever been involved with.
I have to say that 'Blood' is the best album so far from CJ's solo output. It truly has everything. Intensity, melody, riffs, great songs, brilliant production (once again courtesy of Dave Drapers magical ears!).
This is one album that you really do need to check out! 10 tracks that clock in at around the 33 minute mark, leaving you hungry for more!!

Rating: 10/10

Tuesday, 8 August 2017

Spunk Volcano and the Eruptions - Not Wired Up Right (2017)

Genre - Hard Rock / Punk
Label - STP Records

Track listing:
01. Not Wired Up Right
02. Nobhead
03. Shutdown
04. Gatecrash
05. Fuck This For A Game Of Soldiers
06. Your The Bastard
07 . Out Of The Blue
08. Dementia Hurricane
09. Smack In The Teeth
10. Knuckledusters and Scars
11. Purely Medicinal

Following hot on the heels of their Ram Raid EP (released late March 2017) the imitable Spunk Volcano and the Eruptions return with their latest full length album in the form of Not Wired Up Right.
The album opens with the title track, 'Not Wired Up Right', an energetic blast of angst and aggression. The perfect start to any punk album! Next up we have 'Nobhead'. Here the tempo drops slightly, but not the quality as 'Nobhead' is a great slice of melodic punk rock n roll! 'Shutdown' follows and is yet another example of a finely crafted melodic punk track by Messrs Spunk and crew. 'Gatecrash' continue in much the same vein as its predecessor, following the well established Spunk Volcano formula. Next up we have the awesome, 'Fuck This For A Game Of Soldiers', a great slab of punk rock if ever there was one! Its also, in my opinion, one of the three tracks on the album that features "additional screaming" from one Mr Ginger Wildheart! (Non are actually listed in the CD artwork.)
'Your The Bastard' follows, a short sharp punk blast that sees the guys up the tempo once more before sliding into the brilliant 'Out Of The Blue'. 'Dementia Hurricane' is up next, and is as close as you are likely to get to a ballad, lol. 'Smack In The Teeth' is yet another great blast of angst and aggression. this is another of the tracks that I feel features the backing vocal talent of Ginger Wildheart in the shouty chorus'. the albums penultimate track comes in the form of 'Knuckledusters and Scars', which is yet another blast of pure punk aggression! Great tune too!!!
The album closes out with 'Purely Medicinal'. Here the guys change things up a little with a pretty much stripped back track featuring just a single guitar riff and vocal. A great song that showcases another side of the guys song writing skills.

Very Highly Recommended!!!

Rating: 10/10

RADIATION ROMEOS - Radiation Romeos (2017)

Genre - Hard Rock
Label - Frontiers Music

Track listing:
01. Radiation Romeos
02. Ocean Drive
03. Bad Bad Company
04. Mystic Mountain
05. Like an Arrow
06. Promised Land
07. Castaways
08. Ghost Town
09. Til the End of Time
10. On the Tight Rope
11. Monstertraxx

RADIATION ROMEOS are a new band formed by amazing singer Parramore McCarty best known for being the frontman of such legendary US metal acts Warrior and famed Billy Idol guitarist Steve Stevens' solo project, Atomic Playboys.
Musically, "Radiation Romeos" moves in a classic melodic hard rock direction spiced in AOR with punchy edges thanks to the production of Michael Voss (Phantom 5, Casanova, Michael Schenker) who also contributed to the song writing.
All songs on "Radiation Romeos" move on melody and harmony, plenty of rhythm and rich rock groove with catchy refrains. Heyne (founder member of Doc Heyne) lays down some terrific solos throughout.
On the harder side of thing we found 'On The Tight Rope', 'Bad Bad Company' and the edgy 'Mystic Mountain'. Then 'Monstertraxx' is a song that brought from his former band of the same name, and you hear the band blurring the distinction between US metal and classic hard rock, and you may catch a subtle heavy bluesy groove underneath. All of this is balanced with catchy melodic / hard tunes as the title track with strong AOR waves on it, the semi-ballad / mid-tempo 'Like An Arrow' including very nice acoustics, or 'Ocean Drive', where light piano leads into a delicious AOR breeze with great atmospheres.
Another song of interest is 'Castaways' which offers something different inspired by '80s US melodic metal, built as an anthem beginning with a slick keyboard line, then moves into groove and muscular riffs plus a strong vocal arrangement.

A great debut album from a bunch of well seasoned musicians,

Well worth checking out!

Rating: 9/10

Sunday, 25 June 2017

The Ferrymen - The Ferrymen (2017)

Genre - Hard Rock
Label - Frontiers Music s.r.l

Track listing:

01. End Of The Road
02. Ferryman
03. Fool You All
04. Still Standing Up
05. Cry Wolf
06. One Heart
07. Darkest Hour
08. How The Story Ends
09. Enter Your Dream
10. Eyes On The Sky
11. Eternal Night
12. Welcome To My Show
13. One Heart (Acoustic Version)

The Ferrymen are a new project featuring guitarist Magnus Karlsson (Primal Fear), vocalist Ronnie Romero (Lords Of Black, Ritchie Blackmores Rainbow) and drummer Mike Terrana (Tarja, Axel Rudi Pell, Vision Divine). The songs for "The Ferrymen" were written by Karlsson in Sweden during the Summer of 2016, and apparently as soon as Romero heard the songs through their shared label he immediately wanting to become a part of the project. Mike Terrana coming on board just finalised the project.
Musically, you can expect maximum melodic stuff fusing the song writing and epic structures of the great Allen / Lande records (for which Magnus Karlsson was the main architect of the first three widely praised releases) with the Ronnie James Dio-esque vocal approach of Romero. (The main reason that he was recently selected by the legendary Ritchie Blackmore to front his latest incarnation of Richie Blackmore's Rainbow!)
The album kicks off with ‘End Of The Road,’ a fast-paced, classic melodic metal track with strong punchy riffs and vocals. The second track on the album, ‘Ferryman,’ has an anthemnic, stadium rock feel that crowds all over the globe will go wild for.
Then the softer ‘One Heart’ makes a nice change in dynamic to the album, and gives a fresh feel to the sound.  ‘The Darkest Hour,’ is an absolutely brilliant song, beginning with a  clock-like ticking that breaks into a fantastic drum section before Romero’s vocals to take over.
A beautiful keyboard introduction opens ‘Eternal Night,’ making for another of the standout tracks on the album, as it has a wonderful melodic and nostalgic feel which will undoubtedly remind you of listening to old Classic Rock albums from the good old days.
"The Ferrymen" is pure classic melodic metal / hard rock, and right up the street of any fan of the genre. There is no doubting the sheer talent of these three guys, with a stunning execution of each instrument performed plus a vibrant production.

Very very highly recommended!!

Rating: 10/10

Jorn - Life On Death Road (2017)

Genre - Hard Rock
Label - Frontiers Music s.r.l

Track listing:

01. Life on Death Road
02. Hammered to the Cross (The Business)
03. Love Is the Remedy
04. Dreamwalker
05. Fire to the Sun
06. Insoluble Maze (Dreams in the Blindness)
07. I Walked Away
08. The Slippery Slope (Hangman’s Rope)
09. Devil You Can Drive
10. The Optimist
11. Man of the 80’s
12. Blackbirds

One of the greatest voices of heavy rock Jorn Lande returns with his latest album, and ninth altogether,  in the form of Life On Death Road. The album also marks the debut of a new line-up of very experienced and gifted musicians around the Norwegian singer. On bass is Mat Sinner (Primal Fear, Sinner, Kiske/Somerville) who needs virtually no introduction to metal fanatics.
On keyboards and production is Alessandro Del Vecchio (Hardline, Revolution Saints), who already joined JORN for the recording of his last covers album Heavy Rock Radio and was the glue that helped Jorn to create the feel and the direction for the new album.
Francesco Jovino (Primal Fear) is on drums and Alex Beyrodt (Primal Fear, Voodoo Circle) handles guitar. Truly a recipe for a roaring success.
With tracks like “Love Is the Remedy,” “Man of the '80s,” title track “Life On Death Road,""Hammered To The Cross (The Business)" "Slippery Slope (Hangmans Rope)," and “Insoluble Maze,” which are some standouts on a damn near perfect record, this album is a definite must have, especially when they are combined with the anthems and ballads which come with "Dreamwalker" and more so with "The Optimist",. This truly is a bloody great album!

As any rock fan, Jorn Lande's vocals come across as part David Coverdale, part Ronnie James Dio (hence why he was invited to perform with Heaven and Hell at the Ronnie James Dio tribute a few years ago), and he manages to utilise that full range across the length and breadth of Life on death Road.
I have to say that the production of this album is absolutely fantastic thanks to Alessandro Del Vecchio, who has done an amazing job! The albums sound is clear yet punchy, a melding of hard rocking melodic metal, catchy songs that take pages from both bands Whitesnake and Dio while still sounding 100% like a Jorn album, combining it all into his shining moment of his career thus far.
Between his stellar vocals to the brilliantly memorable songs to the on-target performances, this album is one that will likely wind up on many Best Of Lists by the end of the year.

Very highly recommended!!!

Rating: 10/10

Wednesday 13 - Condolences (2017)

Genre - Hard Rock / Horror Rock / Industrial Rock / Horror Punk
Label - Nuclear Blast

Track listing:

01. Last Rites
02. What the Night Brings
03. Cadaverous
04. Blood Sick
05. Good Riddance
06. You Breathe, I Kill
07. Omen Amen
08. Cruel to You
09. Eulogy XIII
10. Prey for Me
11. Lonesome Road to Hell
12. Condolences
13. Death Infinity

Ok, for those unfamiliar with Wednesday 13 here's the bio:

"A grimly glamorous ghoul who first slithered from the cobwebbed shadows of Charlotte, North Carolina, in the early 90s, Wednesday 13 has firmly established himself as the world's premier purveyor of balls-out horror punk insanity. With a vivid and vile imagination that has endeared him to countless fans of riff-driven macabre over the last two decades, he has been one of rock's most prolific protagonists, spreading his credo of grave-robbing rock 'n' roll and Hallowe'en debauchery around the globe and unleashing a seemingly endless stream of blood-spattered albums and EPs. "All my favourite stuff, like Kiss and Alice Cooper and Twisted Sister, those guys set the bar pretty high," he states. "I always wanted to do something in the worlds of those bands. That's the blueprint." After several years of sharpening his creative teeth, Wednesday 13 emerged from the fetid crypt of obscurity with his band Frankenstein Drag Queens From Planet 13, before becoming a bona fide international rock star as frontman for the Murderdolls, his collaboration with Slipknot's Joey Jordison. The band took the world by storm, with Europe and the UK in particular succumbing to the feral charms of 2002 debut album, 'Beyond The Valley Of The Murderdolls'; a raucous eruption of big tunes and bad attitude that noisily redefined the horror punk genre. After Murderdolls went on an extended hiatus in 2004, Wednesday 13 embarked on a widely lauded solo career that again provided him with an outlet for his relentless outpouring of fiendish musical and lyrical ideas. Murderdolls reconvened in 2010 for the vicious 'Women And Children Last' album and another successful world tour before disappearing once more into the freezing midnight fog, leaving Wednesday to revive his solo career with a few thousand volts of wicked electricity and an acclaimed studio album, 'Calling All Corpses'. Frustrated with the arduous process of releasing his own music, our favourite black-hearted freak has thrown himself and his music into a whirling maelstrom of reinvention. The result is not just the heaviest and most authentically disturbing record of the great man's career but also a huge creative leap forward, neatly encapsulated by the new album's simple and direct title. In musical terms, Condolences showcases Wednesday's growing obsession with the world of heavy metal and its endless possibilities for exploring tales of horror and violence. Produced by renowned studio guru Zeuss, new songs like anthemic first single What The Night Brings and the pile-driving Blood Sick still exhibit a dash of B-movie weirdness and are full of Wednesday's trademark twisted lyrics, but where previous albums were rooted in the worlds of punk rock and glam metal, Condolences is a full-on modern metal record with gigantic balls and the attitude to match. From the glowering menace of Good Riddance to the grandiose hellishness of the album's 7-minute title track, it's living, breathing, murdering proof that the Wednesday 13 of 2017 means business. And business is mean.   "It's non-stop touring once the record comes out," Wednesday concludes. "We just did our first video for What The Night Brings and the visuals are really cool. I've incorporated a lot of stuff I've been doing live, like this devil character I've been transforming into at shows, and that got worked in. We're taking the music, the imagery and the entire stage show up a level. It's gonna be a full-on theatrical stage production, so I'll be busy as fuck on stage! I've been doing this shit for so many years, I started thinking 'How can I make this fun again?'

So after reading that I hope you have an idea of just what we are in for with Condolences, the artists eleventh release!

The album opens with the short instrumental, 'Last Rites' before launching into 'What The Night Brings', a good if rather subdued beginning to the album. 'Cadaverous' is up next, with riff that reminds my off something off of Killers Menace To Society album!  'Blood Sick'  follows, a more rounded atmospheric sounding track than its predecessor. 'Good Riddance' comes pounding along next, a classic Wednesday 13 track if ever there was one. 'You Breathe, I Kill' is a straight up Wednesday 13 rocker, from a stalkers point of view! 'Omen Amen' returns the feel of 'Cadaverous',
a great song with a sing along chorus! 'Cruel To You' slows the tempo a little, buts still not exactly a ballad, but it is quiet possibly the closest thing that Wednesday 13 will ever come to writing a pop song!
'Eulogy XIII' follows, a sort of industrial soundscape instrumental with selected samples. if this were a vinyl releases I guess this would be the opening track to side two of the album. 'Eulogy XIII' quickly gives way to 'Prey For Me', which once again has a bruising riff that could have been lifted from the aforementioned Killers album!
'Lonesome Road to Hell' is a rather melodic track that showcases another side to Wednesday's song writing.
The albums penultimate track also happens to be its title track, 'Condolences'. An atmospheric monster of a song. Absolutely brilliant! Haunting and brutal in equal parts!
The album closes out with 'Death Infinity', another atmospheric and haunting track that continues the theme and feel of its predecessor, only this time from the point of view of someone passing beyond the veil of death. A great song, and brilliant way to close out the album!

Condolences is a fantastic album that see's Wednesday 13 dropping much of the humour from their songs and therefore presenting a somewhat darker and colder vision to us all.

Well worth checking out!!

Rating: 10/10